Grant Morrison is one of the most visible contemporary figures to weave **[[Chaos]] magic** directly into their creative and personal [[Practice]]. Their approach has three defining elements: ![[grant_morrison.jpg]] ### **1. Magic as a [[Technology]] of identity and narrative** Morrison treats chaos magic not as a fixed doctrine but as a _method_ for reshaping reality through symbols, stories, and altered states. In works like **The Invisibles**, they frame magic as the deliberate engineering of [[Meaning]] – the idea that [[Belief]] is a tool rather than a truth, and that identities can be created, discarded, or mutated as needed. ### **2. Sigils, pop culture, and the permeability of worlds** They popularised the use of sigils derived from chaos magic, arguing that symbols from comics, music, and mass [[Media]] carry the same ritual potency as traditional occult systems. Morrison’s claim is that pop [[Culture]] is a modern pantheon, and that chaos magic embraces this fluidity rather than resisting it. ### **3. Personal experimentation** Morrison speaks openly about magical practices that influenced their life and work – particularly their experience in Kathmandu in the 1990s, which they describe as a sustained visionary encounter that reshaped _The Invisibles_. For them, magic is [[Empirical]] in the sense that it is judged by effects rather than metaphysics. ### **4. Anti-authoritarian spirit** Chaos magic’s refusal of [[Hierarchical|hierarchy]], dogma or tradition resonates strongly with Morrison’s broader political and artistic commitments. Their work often mirrors chaos magic’s ethos: decentralised, reality-hacking, playful, irreverent and suspicious of grand narratives. ### **In short** Morrison sees chaos magic as a _creative engine_ – a way of hacking culture, consciousness and narrative to open up new possibilities of being. It sits at the confluence of anti-hierarchical politics, metafiction, and an active reshaping of reality through [[imagination]]. `Concepts:` `Knowledge Base:`