#Resource Viennese-British psychoanalyst (1882–1960), one of the founders of object relations and of child analysis — she worked through children's play rather than free association, and went further down into the fears and rages of the first year than Freud thought possible. The core apparatus: inner **objects** built from [[Introjection and Projection]]; the **paranoid-schizoid** and **depressive positions** ([[Depressive Position]]) — splitting first, then the harder achievement of the whole object, loved and hated at once; **reparation** as the driver beneath creativity ([[Reparation]]); and late, the corrosive study of [[Envy and Gratitude]] (1957). ## In the Forest The Kleinian engine under [[Anton Ehrenzweig]]'s Leonardo — the artist who keeps recreating instead of repeating, reparation answering the death-fixation — and under the whole aesthetic argument of [[The Motherliness of Nature]]: [[Sublime]], [[The Uncanny]], [[Oceanic Feeling]] all cash out in her terms. Money-Kyrle's non-utilitarian attitude is her depressive position seen aesthetically. **Books:** *The Psycho-Analysis of Children* (1932) · *Envy and Gratitude* (1957) · *Envy and Gratitude and Other Works 1946–1960* (collected). *Stub — worth expanding if Klein becomes a working reference rather than a cited one.* `Concepts:` [[Depressive Position]] · [[Introjection and Projection]] · [[Reparation]] `Knowledge Base:` [[Painting]]